{"id":272,"date":"2021-05-30T16:51:33","date_gmt":"2021-05-30T23:51:33","guid":{"rendered":"https:\/\/blog.dsnyder.ws-e.com\/?p=272"},"modified":"2021-06-12T19:34:31","modified_gmt":"2021-06-13T02:34:31","slug":"unlocking-great-sound-with-paul-part-2","status":"publish","type":"post","link":"https:\/\/blog.dsnyder.ws-e.com\/index.php\/2021\/05\/30\/unlocking-great-sound-with-paul-part-2\/","title":{"rendered":"Unlocking Great Sound with Paul (part 2)"},"content":{"rendered":"\n<p>This is a continuation of my review and notes as I work through Paul McGowan&#8217;s book,&nbsp;<a rel=\"noreferrer noopener\" target=\"_blank\" href=\"https:\/\/www.psaudio.com\/products\/the-audiophiles-guide\/\"><em><\/em><\/a><em><a rel=\"noreferrer noopener\" target=\"_blank\" href=\"https:\/\/www.psaudio.com\/products\/the-audiophiles-guide\/\"><em>Audiophile&#8217;s Guide: The Stereo \u2013 Unlock the Secrets to Great Sound<\/em><\/a><\/em><em>.<\/em>&nbsp;Here&#8217;s&nbsp;<a href=\"https:\/\/blog.dsnyder.ws-e.com\/index.php\/2021\/05\/29\/unlocking-great-sound-with-paul\/\">a link<\/a>&nbsp;to the start of this series. Before I get into setting up the grid and describing what I&#8217;m learning from the listening tests, I thought you might like to know about the system I&#8217;ve put together for this exercise. While it is true that the room is the most critical component in any audio system, it doesn&#8217;t do much on its own!<\/p>\n\n\n\n<p>Paul describes three types of systems, Casual ($1k &#8211; $5k), Serious ($3k &#8211; $30k), and Whacky ($25k &#8211; $50k and up). My temperament is more on this hobby&#8217;s cheap and cheerful side, but I am setting up a dedicated 2-channel listening room, so this system fits Paul&#8217;s &#8220;Serious&#8221; range. Next to the room, loudspeakers have the most significant impact on sound; Paul recommends allocating 50% to 70% of the components budget to speakers for Serious systems.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Loudspeakers<\/h2>\n\n\n\n<p>The 10 ft width of my room dictates a relatively close listening position. As such, 2-way monitors and towers tend to work better than large multi-way systems as the latter type typically requires greater distances for all drivers to seamlessly integrate. I&#8217;m going with a pair of 7 in 2-ways from a relatively unknown company called Valorem Audio. These largish monitors are composed of a Scanspeak&nbsp;<a rel=\"noreferrer noopener\" href=\"https:\/\/www.madisoundspeakerstore.com\/approx-6-7-woofers\/scanspeak-18w\/8434g00-discovery-6.5-midwoofer\/\" target=\"_blank\">Discovery 18W\/8434G-00<\/a>&nbsp;mid-woofer and ScanSpeak&nbsp;<a rel=\"noreferrer noopener\" href=\"https:\/\/madisoundspeakerstore.com\/ring-radiator-tweeters\/scanspeak-discovery-r2604\/8320-1-tweeter-ring-radiator\/\" target=\"_blank\">Discovery R2604\/8320<\/a>&nbsp;Ring Radiator tweeter. While I don&#8217;t know what these loudspeakers will retail for, the total cost in parts, including crossovers and enclosures, is probably about $450 for the pair (<strong>edit:<\/strong> actually, a little over $600). To make any money at all, the designer must mark them up by ~3x the materials cost, and that cost is usually around 40% of MSRP. So, my best guess is that the Valorem Audio Primum monitors will retail for a little over $3k\/pair (<strong>edit:<\/strong> actually, about $1,800\/pair, selling direct\u2013no dealer network). Sonically, I feel they are competitive with other loudspeakers near this price point.<\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.dsnyder.ws-e.com\/photos\/potn\/Valorem_Primum_front.jpg\" alt=\"\" width=\"606\" height=\"909\"\/><figcaption><center><em>Valorem Audio Primum monitor<\/em><\/center><\/figcaption><\/figure><\/div>\n\n\n\n<p>While bass output and extension are satisfactory from the Valorems, I am fortunate to have a pair of SVS&nbsp;<a rel=\"noreferrer noopener\" href=\"https:\/\/www.svsound.com\/products\/3000-micro-subwoofer\" target=\"_blank\">3000 Micro<\/a>&nbsp;subwoofers that I&#8217;ll integrate to add room pressurization. I&#8217;ve found that optimally integrated subs almost always add more to the listening experience than what they cost. This is especially true of small &#8220;audiophile&#8221; subs like the 3000 Micros. When I say &#8220;small,&#8221; think roughly a 1 ft cube. Size is important here because dedicated listening rooms tend to be smaller; most audiophiles don&#8217;t have space for hulking home theater subwoofers!<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Amplification<\/h2>\n\n\n\n<p>I&#8217;ve selected component separates that are physically small, if not tiny, yet big on performance. Orchard Audio&nbsp;<a rel=\"noreferrer noopener\" href=\"https:\/\/orchardaudio.com\/shop\/ols\/products\/bsc-mplfr\" target=\"_blank\">BOSC (Starkrimson\u00ae)<\/a>&nbsp;monoblock amplifiers will drive the Valorem monitors with up to 150 watts of clean GaN Class D power. These amplifiers are so small and light (21 ounces or 600 grams) that they can be installed by hanging them from the speaker terminals via provided 1 ft cables. The short cable length maximizes the damping factor (rated at &gt; 550). Later models of this amplifier claim an input impedance of 44k\u03a9; however, mine is part of&nbsp;<a rel=\"noreferrer noopener\" href=\"https:\/\/www.audiosciencereview.com\/forum\/index.php?threads\/bosc-hifi-monoblock-class-d-amp.7750\/\" target=\"_blank\">the original release<\/a>, so it&#8217;s a relatively low 5k\u03a9, limiting preamp choices a bit. This amplifier&#8217;s gain is only 16.8 dB, making an active preamp a must. These are essential factors to consider when assembling a system.<\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.dsnyder.ws-e.com\/photos\/potn\/BOSC+Scale.jpg\" alt=\"\" width=\"536\" height=\"804\"\/><figcaption><center><em>Orchard Audio monoblock amplifier<\/em><\/center><\/figcaption><\/figure><\/div>\n\n\n\n<p>For a preamp, I&#8217;ve chosen the&nbsp;<a rel=\"noreferrer noopener\" href=\"https:\/\/apos.audio\/products\/topping-pre-90-plus-ext-90-preamp-and-input-extender\" target=\"_blank\">Topping Pre90<\/a>&nbsp;because of its&nbsp;<a rel=\"noreferrer noopener\" href=\"https:\/\/www.audiosciencereview.com\/forum\/index.php?threads\/topping-pre90-review-preamplifier.18283\/\" target=\"_blank\">excellent objective performance<\/a>&nbsp;and copious balanced inputs (with the optional Ext90 module). Its balanced outputs have a low impedance of 40\u03a9, and it offers up to 16 dB of gain (9.3Vrms). That&#8217;s <em>plenty<\/em> of drive for the Orchard Audio monoblocks. It can simultaneously output from RCA jacks, which will be convenient for adding the SVS 3000 Micro subs.<\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.dsnyder.ws-e.com\/photos\/potn\/GX16_TP90_Back.jpg\" alt=\"Photo showing the rear connections on the DAC and preamp\" width=\"657\" height=\"437\"\/><figcaption><center><em>Topping Pre90\/Ext90 preamp + Gustard X16 DAC<\/em><\/center><\/figcaption><\/figure><\/div>\n\n\n\n<h2 class=\"wp-block-heading\">Sources<\/h2>\n\n\n\n<p>Being a computer audiophile, all of my sources are various DACs or streamers with integrated DACs. The source components for this build include a&nbsp;<a rel=\"noreferrer noopener\" href=\"http:\/\/www.thunder-data.com\/vitos-for-rpi4\" target=\"_blank\">VitOS for Raspberry Pi 4 Model B<\/a>&nbsp;from Silent Angel, which functions as a network audio transport (Ethernet in, USB out).&nbsp;<a rel=\"noreferrer noopener\" href=\"https:\/\/roonlabs.com\/r\/mPhoj18lXkSZAIz5BOtnJw\" target=\"_blank\">Roon Bridge<\/a>&nbsp;software on VitOS enables streaming to any USB attached DACs. My primary DAC is the&nbsp;amazing <a rel=\"noreferrer noopener\" href=\"https:\/\/shenzhenaudio.com\/products\/gustard-dac-x16-bluetooth-5-0-two-es9068as-mqa-full-decoding-xu216-processor-oled-screen-high-performance-audio-dac\" target=\"_blank\">X16 from Gustard<\/a>. Its&nbsp;<a rel=\"noreferrer noopener\" href=\"https:\/\/www.audiosciencereview.com\/forum\/index.php?threads\/gustard-x16-balanced-mqa-dac-review.17419\/\" target=\"_blank\">objective performance<\/a>&nbsp;and build quality match the Topping Pre90 preamp. I also have several other DACs in frequent rotation, including the Khadas&nbsp;<a rel=\"noreferrer noopener\" href=\"https:\/\/www.khadas.com\/tone2pro\" target=\"_blank\">Tone2 Pro<\/a>, Orchard Audio&nbsp;<a rel=\"noreferrer noopener\" href=\"https:\/\/orchardaudio.com\/pecanpi-streamer-1\" target=\"_blank\">Pecan Pi Streamer<\/a>, SMSL&nbsp;<a rel=\"noreferrer noopener\" href=\"https:\/\/shenzhenaudio.com\/products\/smsl-sanskrit-10th-mkii-ak4497-24bit-384khz-dsd256-sk10-mkii-high-end-dac-decoder\" target=\"_blank\">Sanskrit 10th V2<\/a>, and various products from&nbsp;<a rel=\"noreferrer noopener\" href=\"https:\/\/ifi-audio.com\/\" target=\"_blank\">iFi Audio<\/a>.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Putting it all Together<\/h2>\n\n\n\n<p>I&#8217;ll use estimated MSRP prices to see if the system I&#8217;ve assembled for this project is in the ballpark for what Paul recommends.<\/p>\n\n\n\n<figure class=\"wp-block-table aligncenter is-style-regular\"><table class=\"has-subtle-light-gray-background-color has-background\"><thead><tr><th class=\"has-text-align-left\" data-align=\"left\">Component Type<\/th><th class=\"has-text-align-left\" data-align=\"left\">Make and Model<\/th><th class=\"has-text-align-right\" data-align=\"right\">MSRP<\/th><\/tr><\/thead><tbody><tr><td class=\"has-text-align-left\" data-align=\"left\">Loudspeakers<\/td><td class=\"has-text-align-left\" data-align=\"left\">Valorem Audio Primum<\/td><td class=\"has-text-align-right\" data-align=\"right\">$3,375<\/td><\/tr><tr><td class=\"has-text-align-left\" data-align=\"left\">Subbass System<\/td><td class=\"has-text-align-left\" data-align=\"left\">SVS Micro 3000 (two)<\/td><td class=\"has-text-align-right\" data-align=\"right\">$1,500<\/td><\/tr><tr><td class=\"has-text-align-left\" data-align=\"left\">Power Amplifiers<\/td><td class=\"has-text-align-left\" data-align=\"left\">Orchard Audio Starkrimson\u00ae<\/td><td class=\"has-text-align-right\" data-align=\"right\">$1,500<\/td><\/tr><tr><td class=\"has-text-align-left\" data-align=\"left\">Preamplifier<\/td><td class=\"has-text-align-left\" data-align=\"left\">Topping Pre90\/Ext90<\/td><td class=\"has-text-align-right\" data-align=\"right\">$850<\/td><\/tr><tr><td class=\"has-text-align-left\" data-align=\"left\">Streamer + DAC<\/td><td class=\"has-text-align-left\" data-align=\"left\">RPi4 + Gustard X16 DAC<\/td><td class=\"has-text-align-right\" data-align=\"right\">$575<\/td><\/tr><\/tbody><tfoot><tr><td class=\"has-text-align-left\" data-align=\"left\">Total<\/td><td class=\"has-text-align-left\" data-align=\"left\"><\/td><td class=\"has-text-align-right\" data-align=\"right\">$7,800<\/td><\/tr><\/tfoot><\/table><\/figure>\n\n\n\n<p>Excluding the subwoofers, the loudspeakers account for 54% of the system&#8217;s cost; adding subs to the &#8220;speaker&#8221; column drives this to 63%\u2026definitely within Paul&#8217;s 50% to 70% range. Of course, I&#8217;ve not included the cost of accessories like interconnects, cables, power conditioning, racks, and room treatments. I&#8217;ll discuss these more later. Until next time\u2026<\/p>\n\n\n\n<p><a href=\"https:\/\/blog.dsnyder.ws-e.com\/index.php\/2021\/05\/31\/unlocking-great-sound-with-paul-part-3\/\" data-type=\"URL\"><em>Continue to part 3<\/em><\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>This is a continuation of my review and notes as I work through Paul McGowan&#8217;s book,&nbsp;Audiophile&#8217;s Guide: The Stereo \u2013 Unlock the Secrets to Great Sound.&nbsp;Here&#8217;s&nbsp;a link&nbsp;to the start of this series. Before I get into setting up the grid and describing what I&#8217;m learning from the listening tests, I thought you might like to&#8230;<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2,3],"tags":[5,6],"class_list":["post-272","post","type-post","status-publish","format-standard","hentry","category-concept","category-reviews","tag-book-review","tag-room-setup"],"_links":{"self":[{"href":"https:\/\/blog.dsnyder.ws-e.com\/index.php\/wp-json\/wp\/v2\/posts\/272","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blog.dsnyder.ws-e.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blog.dsnyder.ws-e.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blog.dsnyder.ws-e.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/blog.dsnyder.ws-e.com\/index.php\/wp-json\/wp\/v2\/comments?post=272"}],"version-history":[{"count":45,"href":"https:\/\/blog.dsnyder.ws-e.com\/index.php\/wp-json\/wp\/v2\/posts\/272\/revisions"}],"predecessor-version":[{"id":446,"href":"https:\/\/blog.dsnyder.ws-e.com\/index.php\/wp-json\/wp\/v2\/posts\/272\/revisions\/446"}],"wp:attachment":[{"href":"https:\/\/blog.dsnyder.ws-e.com\/index.php\/wp-json\/wp\/v2\/media?parent=272"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blog.dsnyder.ws-e.com\/index.php\/wp-json\/wp\/v2\/categories?post=272"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blog.dsnyder.ws-e.com\/index.php\/wp-json\/wp\/v2\/tags?post=272"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}